"Eduardo e Mônica" (Eduardo and Monica) is a song from Brazilian rock band Legião Urbana's 1986 album Dois, released as promo single. It tells a romantic story centered on a couple formed by the 16-year-old Eduardo and the older college student Mônica, who are very different from each other.[1]
Writing and theme [ edit ]
The song had already been recorded in 1982, when Russo performed alone with his acoustic guitar under the moniker "O Trovador Solitário" (The Solitary Troubadour), on a cassette tape that would be later recovered and released along with other songs on his posthumous solo album O Trovador Solitário.
This version has a different ending than the one from the album. In the latter, it is stated that in a certain vacation period, the family could not travel because the son was retaking a class in school.[a][3] In the original version, the couple's son is still yet to be born and that they didn't get married in a church, but at Eduardo's ranch. Some verses were already scratched by then: "With an Indian flutist who marked the time signature/ All all friends..." They built a house somewhere close to the sea and went to Bahia, Ouro Preto and Rio de Janeiro. Eduardo got a job at Banco Central and Mônica is a professor.[3]
A 2024 article by science magazine Superinteressante suggested that the couple was unlikely to have a long-lasting relationship, based on what the verses say about them and analyzing such info against diverse scientific researches on reasons why couples break up.[1]
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The majority opinion, which is also most in line with the aims (maqasid) of the Shari'ah, is that the prohibited monopoly is one that inflicts harm on people and makes it difficult for them with the monopolist's intention to sell when prices soar, and at the highest possible price.
As monopoly means concentration of supply in one hand, it leads to exploitation of the consumers and the workers, it has, therefore, been declared unlawful by the Holy Prophet (may peace be upon him). Gigantic trusts. cartels and monopolies should not exist in the Islamic society.
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Ju-On: The Grudge 2
This film is actually the third installment of the Ju-on series, and the first to get a wide theatrical release. It was preceded by two low budget films from 2000 known as (Ju-on: The Curse (2000) and Ju-on: The Curse 2 (2000)), whose storylines are continued in this sequel.
It would be easy to compare many similar scenes from the two movies, and though The Curse tops The Grudge in several individual scenes, it is superior in its pacing as well. At only seventy minutes long, The Curse is much tighter and makes for a more intense viewing experience.