Warner Bros. Discovery is a leading global media and entertainment company that creates and distributes the world's most differentiated and complete portfolio of content and brands across television, film and streaming.
Universal Pictures is introducing two new Blumhouse films, The Exorcist: Believer and Five Nights at Freddy's, both franchise starters and theatrical events, with Five Nights at Freddy's also streaming on Peacock.
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Musical artist
Patrick Chukwuemeka Okogwu[1] (born 7 November 1988),[2] better known by his stage name Tinie (formerly Tinie Tempah),[3] is a British rapper and singer. He has been signed to Parlophone since 2009, a subsidiary of Warner Music Group. He created his own entertainment company Disturbing London in 2006, along with his cousin Dumi Oburota.[4]
After releasing a number of mixtapes, he released his debut album, Disc-Overy, in October 2010. Preceded by two British number-one singles, "Pass Out" and "Written in the Stars", the album charted at number one and was certified Platinum the next year. In February 2011, he won two Brit Awards for Best British Breakthrough Act and Best British Single.[5]
In November 2013, he released his second album, entitled Demonstration. Preceded by top ten singles "Trampoline" and "Children of the Sun", the album charted at number three and was certified gold by the BPI the next year.[6] In June 2024, he released "Not Letting Go", the first single from his third album Youth. This gave Tinie his sixth UK number one, surpassing Dizzee Rascal as the most by any UK rap artist.[7]
Early life [ edit ]
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Famed movie critics Gene Siskel and Roger Ebert hated the Friday the 13th franchise for its portrayal of violence against women and its negative view of human nature. Gene Siskel went as far as to ruin the twist ending of Friday the 13th in his written review to deter people from seeing it.
The original Friday the 13th, while iconic, feels like a film student movie rather than one for general audiences. At its best, it will have audiences sitting on the edge of their seats admiring gore, but the majority of the film seems dedicated to nothingness like a neorealist film.
