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Gameplay [ edit ]
From left to right: Alex Mason, Jason Hudson, and Robert McNamara
For Black Ops, Treyarch focused only on this game unlike past practice. However, it had different teams, each working on separate game modes.[39] Treyarch used a motion capture technology similar to the one used in James Cameron's film Avatar, which allows accurate facial expressions, capturing the whole performance of the actor.[40] The studio also consulted special forces veterans from both belligerents of the Cold War: Major John Plaster (US Army-Ret.) who served in the MACV-SOG during the Vietnam War, and former Soviet special forces operative Sonny Puzikas.[41] The latter taught Treyarch how Spetsnaz soldiers would react in combat, such as rolling out of the line of fire. Spetsnaz AIs in the game have been modeled after him, from his tactics and his movements to his face.[42][43] Although having a historical background, the classified aspect of these Cold War black operations allowed the studio to create its own fictional story.[44] The game also allows players to turn down the blood and turn off the profanity.[45]
The fourth map pack, "Rezurrection" was released on August 23, 2011, for the Xbox 360,[87] and September 22, 2011, on PlayStation 3 and PC.[88] The Rezurrection Map Pack is made up of 5 Zombies mode only maps. It includes the first 4 maps from Call of Duty: World at War ("Nacht Der Untoten"/"Night", "Verruckt"/"Asylum", "Shi No Numa"/"Swamp", "Der Riese"/"Factory") fully remastered. It also includes a new map called "Moon". "Moon" allows players to fight zombies in zero gravity with both the player and the zombies under zero gravity influence.[89]
Official Nintendo Magazine awarded the Wii version 90% and said "Black Ops on Wii is a fantastic shooter packed with all the features of its HD brothers, with the only exception being split-screen multiplayer."[135] Martin Gaston at VideoGamer gave the Wii version 6 out of 10, complaining of Treyarch's reworking of in-game sequences as movies, poor AI, and gameplay problems from lower-resolution graphics.[115]
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By 1988, house music had become the most popular form of club music in Europe, with acid house developing as a notable trend in the United Kingdom and Germany in the same year. In the UK an established warehouse party subculture, centered on the British African-Caribbean sound system scene fueled underground after-parties that featured dance music exclusively. Also in 1988, the Balearic party vibe associated with Ibiza's DJ Alfredo was transported to London, when Danny Rampling and Paul Oakenfold opened the clubs Shoom and Spectrum, respectively. Both places became synonymous with acid house, and it was during this period that MDMA gained prominence as a party drug. Other important UK clubs included Back to Basics in Leeds, Sheffield's Leadmill and Music Factory, and The Haçienda in Manchester, where Mike Pickering and Graeme Park's spot, Nude, was an important proving ground for American underground dance music.[Note 1] The success of house and acid house paved the way for Detroit Techno, a style that was initially supported by a handful of house music clubs in Chicago, New York, and Northern England, with Detroit clubs catching up later. The term Techno first came into use after a release of a 10 Records/Virgin Records compilation titled Techno: The Dance Sound of Detroit in 1988.[76]
Following the popularization of EDM in America a number of producers and DJs, including Carl Cox, Steve Lawler, and Markus Schulz, raised concerns that the perceived over-commercialisation of dance music had impacted the art of DJing. Cox saw the "press-play" approach taken by newer EDM DJs as unrepresentative of what he called a "DJ ethos".[125] Writing in Mixmag, DJ Tim Sheridan argued that "push-button DJs" who use auto-sync and play pre-recorded sets of "obvious hits" resulted in a situation overtaken by "the spectacle, money and the showbiz".[160]
In May 2024, the International Music Summit's Business Report estimated that the global electronic music industry had reached nearlyR$6.9 billion in value; the count included music sales, events revenue (including nightclubs and festivals), the sale of DJ equipment and software, and other sources of revenue. The report also identified several emerging markets for electronic dance music, including East Asia, India, and South Africa, credited primarily to investment by domestic, as well as American and European interests. A number of major festivals also began expanding into Latin America.[171]
Spectrum Dance Music Festival, 2024
A number of deaths attributed to apparent drug use have occurred at major electronic music concerts and festivals. The Los Angeles Memorial Coliseum blacklisted Insomniac Events after an underaged attendee died from "complications of ischemic encephalopathy due to methylenedioxymethamphetamine intoxication" during Electric Daisy Carnival 2010; as a result, the event was re-located to Las Vegas the following year.[224][184][225][226][227] Drug-related deaths during Electric Zoo 2013 in New York City, United States, and Future Music Festival Asia 2014 in Kuala Lumpur, Malaysia, prompted the final day of both events to be cancelled,[226][228] while Life in Color cancelled a planned event in Malaysia out of concern for the incident, and other drug-related deaths that occurred at the A State of Trance 650 concerts in Jakarta, Indonesia.[229][230][231]
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