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It's not a horror movie, it's some sort of fun teen thriller-ish movie with some twisted scenarios but overall a quite simple script. It's not very scary, though there are a fez fun jump scares.
In this new psychological horror-thriller from Tate Taylor and Blumhouse, a lonely woman befriends a group of teenagers and decides to let them party at her house. Just when the kids think their luck couldn't get any better, things start happening that make them question the intention of their crazy host.
Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2024 film Minions, a spin-off/prequel and the third installment overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside the film, on July 10, 2024, by Back Lot Music.[2][3]
Development [ edit ]
Pereira who watched the Despicable Me films, observed audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those songs represent an era but they also have to have a relationship to the moment in the movie where they appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are sung by the Minions themselves. He added that "it was fun to write music around it and try to make the orchestral music and band music to somehow be holding hands with the music of the period without sounding like somebody that wrote the music then".[6]
"I'm from Brazil, but the first time I heard The Beatles, I didn't have a clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow already put me in a certain frame of mind. I find that the same goes with the Minions' language." — Pereira, on the use of Minions language[4]
Pereira compared the music for the Minions to that of the Three Stooges, where the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of things go by and then the narrator has left the movie and now they are out there on their own. Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired all the personalities through the score.[6]
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O assassino usa um máscara de hóquei e muitas armas diferentes para atacar jovens do acampamento Crystal Lake e virou uma figura icônica para os amantes dos filmes de terror.
Veja onde assistir aos filmes nas plataformas de streaming:
1 - Sexta-feira 13, de 1980
Disponível no HBO Max
2 - Sexta-feira 13 - parte 2, de 1981
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A single-player video game is a video game where input from only one player is expected throughout the course of the gaming session. A single-player game is usually a game that can only be played by one person, while "single-player mode" is usually a game mode designed to be played by a single player, though the game also contains multi-player modes.[1]
Most modern console games and arcade games are designed so that they can be played by a single player; although many of these games have modes that allow two or more players to play (not necessarily simultaneously), very few actually require more than one player for the game to be played. The Unreal Tournament series is one example of such.[2]
History [ edit ]
The earliest video games, such as Tennis for Two (1958), Spacewar! (1962), and Pong (1972), were symmetrical games designed to be played by two players. Single-player games gained popularity only after this, with early titles such as Speed Race (1974)[3] and Space Invaders (1978).
The reason for this, according to Raph Koster, is down to a combination of several factors: increasingly sophisticated computers and interfaces that enabled asymmetric gameplay, cooperative gameplay and story delivery within a gaming framework, coupled with the fact that the majority of early games players had introverted personality types (according to the Myers-Briggs personality type indicator).[4]
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