MGM claimed the remake was based on new information uncovered during research of the original events, but George Lutz later claimed nobody ever spoke to him or his family about the project. When he initially heard it was underway, his attorney contacted the studio to find out what they had in the planning stages and to express Lutz's belief they didn't have the right to proceed without his input. Three letters were sent and none was acknowledged. In June 2004, the studio filed a motion for declaratory relief in federal court, insisting they had the right to do a remake, and Lutz countersued, citing violations of the original contract that had continued through the years following the release of the first film.[3] The case remained unresolved when Lutz died in May 2006.
Critical reception [ edit ]
Ruthe Stein of the San Francisco Chronicle thought "the truly shocking thing about the new version is that it's not bloody awful . . . The decision to use minimal computer-generated effects, made for monetary rather than artistic reasons, works to Amityville's advantage. It retains the cheesy look of the 1979 original, pure schlock not gussied up to appear to be anything else."[8]
James Christopher of The Times observed, "There is something pleasurably batty about the way the family blunders on. The chills are satisfyingly creepy. The gory special effects are lavish and effective. And the wooden house itself is a sinister architectural pleasure. It’s total nonsense of course, but I left the lights on that night anyway."[10]
A VHS version was released the same day and was the final Dimension film released on VHS. Paramount Pictures (via Miramax) handles the digital distribution rights, including its own logo (though Warner Bros. Home Entertainment handles the home media distribution rights to the film in some countries along with the rest of MGM's post-April 1986 library[12]).
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